Ashley Graham and Justin Ervin attend Is That Black Enough For You?!? premiere at NY Film Festival

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Ashley Graham and Justin Ervin attend the Is That Black Enough For You?!? premiere at NY Film Festival

Ashley Graham and her husband Justin Ervin were snapped Sunday at the New York Film Festival premiere of the new documentary Is That Black Enough For You?!?

The Lincoln, Nebraska native, 34, was stylish in an oversize black button-down shirt over shorts and brown sandal heels as she wore her wavy brown locks down at the event in support of her spouse, who worked on the camera crew of the doc, which will stream on Netflix.

Ervin wore an all-black ensemble of a button-down shirt with pants and shoes and a hat, as he and his spouse posed for multiple pictures with collaborators on the doc.

Ashley Graham and Justin Ervin attend Is That Black Enough For You?!? premiere at NY Film Festival

The latest: Ashley Graham, 34, and her husband Justin Ervin were snapped Sunday at the New York Film Festival premiere of the new documentary Is That Black Enough For You?!?

Ervin and the supermodel, who has 19.2 million followers on Instagram, are parents to three young sons: Isaac, two, and twins Malachi and Roman, nine months.

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Other notable names at the screening included Joker actress Zazie Beetz, Oscar-winning filmmaker Steven Soderbergh, a producer on the doc; and the doc’s writer/director Elvis Mitchell. The latter took part in a Q and A session Sunday.

The documentary is described as ‘a definitive narrative of the Black revolution in 1970s cinema, from genre films to social realism, from the making of new superstars to the craft of rising auteurs,’ according to a synopsis from Film at Lincoln Center

In the doc, according to the synopsis, ‘Mitchell takes a personal and panoramic approach, expressing his own experiences as a viewer while detailing the cinematic and political histories that led to this extraordinary flowering of a newly ascendant Black heroism.’

The couple posed with filmmaker Louise Greaves at the gathering

The couple posed with filmmaker Louise Greaves at the gathering 

Ervin worked on the camera crew of the doc, which will stream on Netflix

Ervin worked on the camera crew of the doc, which will stream on Netflix

(L-R) Clifton Prescod, Jocelyn Prescod, Ervin, Graham, Sydney Foos were pictured together

(L-R) Clifton Prescod, Jocelyn Prescod, Ervin, Graham, Sydney Foos were pictured together 

Ervin took to Instagram with a pic alongside his spouse and the doc's writer/director Elvis Mitchell

Ervin took to Instagram with a pic alongside his spouse and the doc’s writer/director Elvis Mitchell

Among the films ‘analyzed with Mitchell’s customary verve and perspicacity’ in the doc include Shaft, The Learning Tree, Cool Breeze, Sounder, Super Fly, Coffy, Claudine, Uptown Saturday Night, Cornbread, Earl and Me, and Killer of Sheep.

The doc’s title is derived from a recurring line from the 1970 movie Cotton Comes to Harlem featuring the late Ossie Davis.

Among those interviewed in the doc include Zendaya, Harry Belafonte, Laurence Fishburne, Whoopi Goldberg, Samuel L. Jackson, Glynn Turman and Billy Dee Williams. 

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It’s set to begin streaming November 11 on Netflix.  

Other notable names at the screening included (L-R) Oscar-winning filmmaker Steven Soderbergh, Joker actress Zazie Beetz and the doc's writer/director Elvis Mitchell

Other notable names at the screening included (L-R) Oscar-winning filmmaker Steven Soderbergh, Joker actress Zazie Beetz and the doc’s writer/director Elvis Mitchell 

Beetz looked radiant in a light blue dress with a navy blue blazer and black boots

Beetz looked radiant in a light blue dress with a navy blue blazer and black boots 

The stunning actress had her wavy black locks parted with a braid at the festival

The stunning actress had her wavy black locks parted with a braid at the festival 

Soderbergh and Mitchell took part in a Q and A session Sunday

Soderbergh and Mitchell took part in a Q and A session Sunday

'Mitchell takes a personal and panoramic approach, expressing his own experiences as a viewer while detailing the cinematic and political histories that led to this extraordinary flowering of a newly ascendant Black heroism,' according to a synopsis

‘Mitchell takes a personal and panoramic approach, expressing his own experiences as a viewer while detailing the cinematic and political histories that led to this extraordinary flowering of a newly ascendant Black heroism,’ according to a synopsis 

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